翻訳と辞書
Words near each other
・ The Prisoner of the Caucasus
・ The Prisoner of the Caucasus (story)
・ The Prisoner of the Iron Mask
・ The Prisoner of the Maharaja
・ The Prisoner of White Agony Creek
・ The Prisoner of Zenda
・ The Prisoner of Zenda (1913 film)
・ The Prisoner of Zenda (1922 film)
・ The Prisoner of Zenda (1937 film)
・ The Prisoner of Zenda (1952 film)
・ The Prisoner of Zenda (1979 film)
・ The Prisoner of Zenda (disambiguation)
・ The Prisoner of Zhamanak
・ The Prisoner's Dilemma
・ The Prisoner's Dilemma (play)
The Prisoner's Song
・ The Prisoners
・ The Prisoners (play)
・ The Prisoners (The Walking Dead)
・ The Prisoners of Shanghai
・ The Prisoners of Time
・ The Private Affairs of Bel Ami
・ The Private Afternoons of Pamela Mann
・ The Private Collection (Charlie Haden album)
・ The Private Ear
・ The Private Eye
・ The Private Eye Blues
・ The Private Eyes (1976 film)
・ The Private Eyes (1980 film)
・ The Private Files of J. Edgar Hoover


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

The Prisoner's Song : ウィキペディア英語版
The Prisoner's Song

"The Prisoner's Song", is a song copyrighted by Vernon Dalhart in 1924 in the name of Dalhart’s cousin Guy Massey, who had sung it while staying at Dalhart’s home and had in turn heard it from his brother Robert Massey, who may have heard it while serving time in prison.〔Palmer, Jack, ''Vernon Dalhart: First Star of Country Music'', Mainspring Press, Denver Colorado, 2005. ISBN 0-9772735-0-4〕〔http://www.bobdylanroots.com/prisoner.html〕
''The Prisoner’s Song'' was one of the best-selling songs of the 1920s, particularly in the recording by Vernon Dalhart. The Vernon Dalhart version was recorded on Victor Records in October 1924 and marketed in the hillbilly music genre. It was likely one of the best-selling records of the early 20th century. Although contemporary data show that Victor pressed slightly over 1.3 million copies during the record's peak years of popularity, anecdotal accounts sourced from a 1940s promotional flyer report sales as high as 7 million. The song's publisher at the time, Shapiro, Bernstein & Co., reportedly sold over one million copies of the song's sheet music.
It was later performed by, among others, Hank Snow, Bill Monroe and Brenda Lee. The first verse was sung by Liberace at the end of an episode of the 1960s television show ''Batman'' in which Liberace played the double role of twin criminal brothers, both of whom ended the episode behind bars.
The song was included in Lyle Kessler's play Orphans and the film adaptation of the same name which the character of Harold drunkenly mumbles. The verse sung was altered to "if I had the wings of an anger, over these prison walls I would fly, Straight to the arms of my mutter, and then I'd be willing to die".
==History==
The events leading to the song’s immense popularity began with a decision by Victor in 1924 to issue a recording of another song ''The Wreck of the Old 97'', also titled ''The Wreck of the Southern Old 97'', which had been a money-maker for other record companies. Nathaniel Shilkret, A&R man for Victor’s newly established Country Records Department and his boss, Victor’s Director of Light Music Eddie King agreed to have Dalhart as vocalist on the recording.〔Shilkret, Nathaniel, ed. Shell, Niel and Barbara Shilkret, ''Nathaniel Shilkret: Sixty Years in the Music Business'', Scarecrow Press, Lanham, Maryland, 2005. ISBN 0-8108-5128-8〕 Shilkret〔 indicated that he felt it necessary to choose a good recording for the B-side of the record in order not to depend entirely on an eight-month-old hit and that he asked Dalhart for a suggestion. Dalhart said his cousin Guy Massey had a song, ''The Prisoner’s Song'', that would be appropriate, and, on August 13, 1924, ''The Prisoner’s Song'' was recorded, with Dalhart’s singing backed by Victor singing and whistling artist Carson Robison on guitar and Victor violin artist and often concertmaster of Shilkret ensembles Lou Raderman on viola. This recording, issued as Victor 19427, of ''The Prisoner’s Song'' and became a big hit.
Long-lasting controversy over the authorship of the song quickly arose. Dalhart copyrighted the song in Guy Massey’s name, taking 95% of the author royalties for himself and giving Massey 5%. Shilkret protested, claiming that the song as Dalhart had brought it to him (Shilkret) was unusable, and that he rewrote the music.〔〔〔Malone, Bill C., ''Country Music USA, Revised Edition, University of Texas Press, Austin, Texas, 1985, p. 62. ISBN 0-292-71096-8〕 The Shilkret family fought unsuccessfully through the 1950s for author credit.
Guy Massey had heard the song from his brother Rob Massey, who had actually spent some time in prison and probably first heard the song there. Palmer cites a letter dated October 20, 1924 from Guy Massey to his brother Rob Massey and two of his sisters telling them that he agreed to a 5% stake in royalties because he thought there would not be any royalties. Guy also said that, even though the royalty contract did not mention Rob explicitly, he (Guy ) would split the 5% evenly with Rob. Although Dalhart changed his story frequently when he told it in public, he sometimes also claimed to have rewritten the original that he got from Guy. At times there were claims made that Guy had written it and there were claims that Rob had written it.〔 Another story claims the lyrics were carved into the wall of a cell in the old Early County Jail in Blakely, Georgia by Robert F. Taylor, who was at one time held there.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「The Prisoner's Song」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.